Oaks Convention Center
My largest setup can provide 30,000 watts of 3-way active stereo sound reinforcement, enough for up to 1,200 people in most musical applications and a crowd of up to 2,000 people for speeches/vocal presentations. It can also be split into two independent club-size systems suitable for a few hundred people each. The heart of my system is a Yamaha LS9-32 Digital Mixing Console.d-1_01.gif" ALT="" width="650" height="33">

The List
Updated April 9, 2013

I'm always adding to my inventory so this is only a reference - if you require something not on this list, such as stages, videos and screens, or any large or unique requirements, I have working relationships with several regional production companies that enable me to find, rent, subcontract, or buy most anything you need while providing a single technical point of contact for your event.

Mixers
  • Yamaha M7CL-32 Digital Mixer
    Yamaha LS9-32 Digital Mixer
    Yamaha 01V96 16 (20) Channel Digital Mixer (plus 8 extra ADAT preamps)
  • Soundcraft Spirit Monitor II (40 x 12 Monitor Mixer with built-in split));
     

    Equipment


    Cinco de Mayo, 2004
    Oaks Convention Center

    (3) SHURE Beta58 Wireless
    (1) Countryman E6 Earset mic0"> (1) Shure beltpack transmitter (for E6 or Guitar)

  • Wired Vocals/Instrument
  • (8) SHURE Beta58 vocalsch, reverse, echo, reverb, phase, scratch, platter, more...

    Software
    (1) Adobe Audition 3.0 (formerly Cool Edit Pro)
    Multitrack recording and production
    (1) PCDJ FX with CDG Karaoke module
    Professional DJ software
  • Drums/Condensers
    (1) Shure Beta91; Kick drum, piano
    (1) Shure Beta52; Kick drum, bass guitar
    (2) Audix D6; Kick drum, bass guitarfour (3) Audix D2; Rack Toms
    (4) Shure
    (1) AKG C1000s condenser; acoustics, overheador="#FFFFFF">(1) dbx Driverack PA: Crossover/EQ/System Processor
    (1) ASHLY dual-31 FOH EQ
  • (2) Behringer FBQ6200 31-band long-throw EQ
  • (1) Presonus ACP88 eight-channel compressor/gate/limiter
    (1) dbx 266XL dual compressor/gate/expander
  • (1) dbx 166 dual compressor/gate
  • (2) Behringer Multicom MDX4600 quad compressor/gate/limiter
    (1) Behringer Multicom MDX4400 quad compressor
  • (1) Lexicon MX200 Dual Reverb/Effects Processor
  • (1) Alesis MicroVerb III effects processor
  • (1) Alesis MidiVerb II effects processor
  •   My largest setup can provide 30,000 watts of 3-way active stereo sound reinforcement, enough for up to 1,200 people in most musical applications and a crowd of up to 2,000 people for speeches/vocal presentations. It can also be split into two independent club-size systems suitable for a few hundred people each. The heart of my system is a Yamaha LS9-32 Digital Mixing Console.

    However, having good equipment is only part of the eqSpeakers

    • "Rig A"
      (8) JBL VRX932LAP Constant Curve Line Array
      self-powered; with rigging
      (4) JBL VRX918SP
      single 18" powered subs
      (Can also use with SRX subs below for larger shows)
    • "Rig B"
      (4) JBL SR4731X/F
      Mid/Hi 2-way; dual 12" drivers; 1,200 watts program; 2,400 watts max; biamped; flyable
      (2) JBL SRX4732X
      Mid/Hi 3-way; dual 12" drivers; 1,200w/2,400w; biamped
      (8) JBL SR4719X
    • Dual-18" cabinets; 1,200w/2,400wor="#FFFFFF">Updated August 26, 2010

    • (8) QSC K12 powered monitors (1000w)
      (3) Yamaha CM12V 12"/2" 350w/700w max
      (2) Yamaha CM15V 15"/2" 350w/700w max
    Digital Recording / DJ
    • Hardware
      (1) MOTO 896mk3 24-track audio computer interface
      (2) ADAT interface cards to get 16 tracks from any of my Yamaha digital mixers into the MOTU

      Software
      (1) Adobe Audition 3.0 (formerly Cool Edit Pro)
      Multitrack recording and production
      (1) PCDJ FX with CDG Karaoke module
      Professional DJ software
    Effects / Processing
    • (The Yamaha M7CL-32 and LS9-32 digital consoles have fournt>
    • (1) dbx Driverack PA: Crossover/EQ/System Processor
    • (2) QSC RMX850
    • (4) Crown XTi-2000
    Speakers
    • "Rig A"
      (4) JBL SR4731X/F
      Mid/Hi 2-way; dual 12" drivers; 1,200 watts program; 2,400 watts max; biamped; flyable
      (4) JBL SRX4732X
      Mid/Hi 3-way; dual 12" drivers; 1,200w/2,400w; biamped
      (8) JBL SR4719X
    • Dual-18" cabinets; 1,200w/2,400w
    • "Monitors"
    • (6) Yamaha CM12V 12"/2" 350w/700w max
      (2) Yamaha CM15V 15"/2" 350w/700w max

    • "Rig B / DJ"
      (2) JBL EON 15 G2 - Powered 300w 15" + 100w 1.75"
      (2) QSC HPR181i - Powered 700w 18" subwoofer
    Effects / Processing
    Microphones
    • Wireless
    • (2) SHURE PGX/SM58 UHF Wireless
      (1) Countryman E6 Earset mic
      (1) Shure beltpack transmitter (for E6 or Guitar)
    • (3) SHURE SC2 handheld wireless w/SM-58 heads - VHF/Diversity
      (3) SHURE SC1 wireless beltpack transmitters
      (3) SHURE SC4 wireless receivers - VHF/Diversity

    • Wired Vocals/Instrument
    • (8) SHURE Beta58 vocals
      (16) 3w RGBAW LED PAR64
      (16) 1w RGB LED PAR64
      (16) Silver Par-64 / 500W MFL
      (10) Global Truss 10-foot box truss (100 feet total)
      (4) Global Truss Box Corners
    • (4) Sennheiser e609s: guitar cabs
    • (1) Zero88 Jester 24 DMX console with VGA
      (2) USB/DMX software lighting controllers bass guitar
      (2) Audix D4; Bass / Floor Tom- Sweetlight (Chauvet ShowXPress)

    Power DistributionActive Direct Box - Acoustic Guitar
    (4) Whirlwind EDB1 Direct Box
    (2) Whirlwind IMP2 Direct Box
  • (2) RAPCO db-100 Direct Box

  • (1) 150' Split snake, 36 x 12 XLR w/30' monit  4 x L14-30r (120/240v 30a)

    - 50 amp single-phase 220-volt audio distro
    - 2 x 50' sets of 4-wire, single-phase #2 100amp Camlock feeder cable/li>
  • (Many) XLR microphone cables

    Microphone Stands:
    (Many) Boom stands
    (2) Large studio/drum overheads
    (2) Straight stands
  • (8) short-boom stands (for mic'ing amps)
  • (2) Kick drum boom microphone stand
  • (4) portable speaker stands
  •  
  • Lighting Equipment

    "Rig A"
    (16) Silver Par-64 / 300W MFL (Raykits)
    (16) Silver Par-64 / 500W MFL
    (16) LED PAR64's w/RGB Color Mixing
    (10) Global Truss 10-foot box truss
    (4) Global Truss Box Corners
    (4) Global Truss ST-180s - 18-foot crank stands, 450 lbs max load each
    (3) NSI DDS-9600 - 8ch x 2400w dimmer packs - DMX
    (2) Global Truss Floor Bases (for Tradeshow frames, etc) (4) NSI ND4600 - 4ch x 600W dimmer packs
    (1) NSI 7532 Microplex/DMX control board, 2-scene with stack queue
    (1) Zero88 Jester 24 DMX console with VGA
    (2) USB/DMX software lighting controllers
    - Freestyler (Enttec USB DMX Pro)
    - Sweetlight (Chauvet ShowXPress)

    "Rig B / DJ"
    (8) LED PAR64's w/RGB Color Mixing
    (1) American DJ "Stage Desk" 16-channel DMX controller
    (1) Mirror Ball
    (2) Mirror Ball Pin Spots
    (1) American DJ "Avenger" effect
    (1) American DJ strobe light
    (1) American DJ fog machine
    (1) Odyssey 10-foot truss w/stands

    Power Distribution
    • - 100 amp single-phase 220-volt lighting distro w/camlock thru
        4 x Socapex Outputs (Patchable on Dimmer packs)
        4 x Edison (120v 20a)
        2 x Edison GFCI (120v 15a)
        4 x L14-30r (120/240v 30a)
      - 50 amp single-phase 220-volt audio distro
      - 2 x 50' sets of 4-wire, single-phase #2 100amp Camlock feeder cable
      - 80' 6/4 power feeder cable
      - 65' Twistlock 10/4 power cable
      - 45' Twistlock 10/4 power cable
      - 25' Twistlock 10/4 power cable
      - 15' Edison 3 quad box stage stringer
      - 40', 2 x 20amp quad box, L14-20p twist plug
    • - 30/50 amp, 3 and 4-wire adapter tails
    •  
    Staging
    • - (13 pcs) 8' x 4' x 4' indoor/outdoor staging (24' x 16' total)
      Adjustable 4' to 6' height. With stairs, railings
      - (6 pcs) 8' x 4' x 18" indoor stage platforms (16' x 12' total)
      - (1) 30' x 20' waterproof shade roof, light gray color
    •